LIPPAN ART!

Posted byShristy SinghPosted inUncategorizedTags:

Hello everyone! Hope you all are doing good! Today I have first ever tried ‘Lippan Art’, this art form is little bit harder then the other ones. As you all know that I love making different types of art forms. Firstly know a little bit about this art form.

What is ‘Lippan Art Work’?

. Lippan work is a traditional art form western India and is mainly done by women of the Rabri community of Kutch, Gujrat. This mud relief work is done on inside of mud walls using clay.

How to make this painting?

1. First you need a canvas and paint its base by using white acrylic colour. For easy blending.

For blending colours I have used flat brush no. 12

Canvas size: 21cm× 28cm

2. Start making patterns of your choice with a pencil.

3. Then start blending colours from middle of the canvas light to dark colour.

Shades of Acrylic Colours I have used.

I am using Camlin Acrylic Colours .

. 239 -Light blue.

. 430- Ultramarine blue

. 351- Prussian blue

. 478 – White

4. Let it dry your colours first at least for full night.

5. When your colours are dry then start making patterns with clay of your choice.

6. Let it dry your clay for 1 to 2 days.

7. Then stick mirrors of your choice of shapes.

. I have used two shapes of mirrors.

Link of this product’s

Shilpkar clay: https://www.amazon.in/dp/B07HRV1YZW/ref=cm_sw_r_apan_glt_fabc_8W1KD24QYDYF6X5SM8CC

Acrylic Colours: https://www.amazon.in/dp/B07N2577XM/ref=cm_sw_r_apan_glt_fabc_3Q26BWXBYGXVRX9A4BGD?_encoding=UTF8&psc=1

Flat brush set: https://www.amazon.in/dp/B078FYHMTW/ref=cm_sw_r_apan_glt_fabc_X7WBE96B8JCDK61YF29E

Supplies:

. Shilpkar Clay you have to mix the resin base and hardner equally and mix well together, mix a small at a time because it drys very quickly.

. Acrylic Colours

. Pencil

. Glue

. Flat brush no. 12/ 10

. Canvas of size: 21cm×28cm

. Mirrors

I have purchased the mirrors form a stationary shop.

Hope you like this painting and my steps.

Try this painting and share your experiences with me.

Stay Safe And Stay Healthy ❤️

Published by Shristy Singh

I Just Love "Adding Creativity Through Brush" For Me Art Is Not Paint It Is Love...

296 thoughts on “LIPPAN ART!”

      1. A scientist can tell facts and science behind the physical matter. An artist can give life to even a stone. You manage all aspects very well – science, art, creativity, communication and presentation.

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  46. Yom HaDin upon the brit: viewed in the context of history. טוב
    The 13th Century exposed the chaos and moral debauchery of Western European society. Still, a general rule applies to this very day, when a people or nation falls into Civil War, foreign nations jump to intervene. Rabbeinu Yonah, the cousin of the Ramban, led the condemnation which denounced the Rambam code. In 1202 Rabbi Isaac ha-Baḥur spoke direct with the Rambam, 2 years before he died, and denounced that code. The Rambam “redefinition” of the meaning of halacha, caused an outcry which did not limit their denunciation to the Guide for the Perplexed and the Sefer ha-Madda, as many modern revisionist historians suggest.
    Samuel David Luzzatto, (1800 -1865), denounced assimilated Rambam, Ibn Ezra, and Spinoza based upon his opposition to Greek philosophy. He likewise challenged the authenticity of the Zohar because he held that in the era of the Mishna, pilpul scholarship, which studies the grammar of vowels and accents, had yet developed. The Zohar speaks on grammar\pilpul. Nonetheless, Luzzatto did not link Aristotelian philosophy to the Yad HaChazakah. Yet Heinrich Graetz perceived that Luzzatto regarded nearly every word of Maimonides as un-Jewish and heretical, as does this author.
    In 1233 under the direction of Solomon ben Abraham of Montpellier, a ban – issued against the works of the Rambam. Rabbeinu Yonah favored the public burnings of his works in that same year. Jewish refugees could only enforce this action with Church and Government support. In 1242 the Pope and the king of France ordered the destruction of 24 cartloads of Talmudic manuscripts! The Rambam Civil War adversely impacted all Jewish exile communities across Western Europe. The ensuing population transfer of Jewish refugee populations from Western to Eastern Europe came as a direct consequence of Jewish chaos and anarchy.
    In 1282, John Peckham, the Archbishop of Canterbury, closed all synagogues in his diocese. English King Edward I in 1290, issued the Edict of Expulsion. The expulsion edict remained in force for the rest of the Middle Ages. In 1298 came the Rintfleisch massacres, 8 years before the expulsion of all Jews in France. This, the first mass pogrom in Germany following the first Crusade catastrophe.
    During these dark times, Goyim propagated and promoted Blood libels, comparable to flies attracted to fresh manure. The mysterious death of Werner of Oberwesel gave Goyim the excuse to accuse Jews of ritual murder. These barbarians believed that Jews used Xtian blood to make our Pesach matza. The butcher, “Lord Rindtfleisch”, led a bloody series of pogroms which resulted in the destruction of 146 communities, and the violent murder of some 20,000 Yidden. The cities where these pogroms occurred, King Albert I imposed fines upon the refugee survivors, and compelled them to pay for the resultant damages.
    The Rambam’s redefinition of halacha, followed by the victory of his supporters in that tragic Civil War, resulted in spiritual disaster. Jews no longer learned how to da’aven, using the Talmud as their spiritual guide. This set the stage for the mystic kabbala era that immediately ensued following the destruction of the Rashi\Tosafot schools in France and Germany. The Zohar and Ari kabbala produced the false messiah movements, Chassidut, and likewise set the stage for Reform Judaism. All g’lut Jewry ceased to da’aven with k’vanna; prayer replaced tefilla. Yidden lost all knowledge of how to dedicate tohor middot דאורייתא ודרבנן to HaShem. The chosen Cohen nation altogether ceased doing avodat HaShem. Then came the Shoah.

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  55. Appreciate this introduction to Lippan art – I love that it combines media, and that it can be done on walls, as well as on canvas. Your piece is lovely – the various shades of blues in the background really allow the patterns to shine!

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  58. What an interesting post, Shristy. Everything you need to do the work except the talent – which I lack. But it sure looks like fun! Thanks for visiting my blog and inviting me over. 🙂

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  84. A fascinating discussion is definitely worth comment. I think that you need to write more on this subject matter, it may not be a taboo subject but typically folks don’t speak about these topics. To the next! Best wishes!!

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